I am amazed that many photographers, far too many of them work on a monitor with no calibration, no profiling and get surprised when they do not achieve the expected colors from their prints. I have made quite a few presentations on digital workflow, and have been preaching the importance of color management starting with the display monitor calibration and profiling. The importance of a calibrated and properly profiled display monitor cannot be overemphasized. It is a must, period. The rest of the color-manged workflow depends on it.
On Color
March 12, 2008 By 1 Comment
I have been working on a presentation that I will make in a few weeks about color and color photography. I have read many books, visited many Web sites, and the last book I have been reading by Wittgenstein1 prompted me to ask a series of questions in my exploration of the idea of “color.” Ponder upon these:
- Is it meaningful to talk about the “evolution of color” in the sense that we talk about the evolution of the planets, species?
- All the colors must have emerged spontaneously.
- If not, is there an order of appearance?
- Are there “unknown colors”? Can there be?
- Once we are aware of the idea of “color” do we know all the colors we can?
- What is the difference between “surface color” and “emitted color”?
- Was there a time when humans did not see all the colors we now know?
- Will humans see more colors one million years from now?
- Is human evolution a factor in “color”?
- If it is, is human evolution the analog for the evolution of color?
- Is there color inside a tightly sealed wooden box?
- How can we know that?
- If there is no color, what would it look like if we could observe the objects inside?
Penny for your thoughts.

Photoshop Is a Girl's Best Friend Expanded Notes are available.
