July 29, 2010

Touching The History Photography Exhibit

mg_5836_7_8-3_exhibit_print You might have read about my unique experience in the dome of Hagia Sophia and the first photography exhibit of the work of that experience in Cleveland last May-June. This fall, a slightly expanded version of the same exhibit is coming to Rhode Island. The small preview images below do not do justice to the 16×20 inch framed photographs, printed on special metallic paper to replicate the reflectivity of gold that surrounds the Great Dome. Visit the exhibit, come to the opening reception, hear my experience, and see the Great Church from a vantage point you most likely have not seen.

Below are the specifics:

Touching The History: Photographs From The Dome Of Hagia Sophia

Dates: September 8 – October 22, 2010

Location: Providence College Hunt-Cavanaugh Art Gallery

Gallery hours: 9 AM – 4 PM Monday-Friday

Opening reception: September 16, 2010 5 – 7 PM, Gallery talk at 6:00 PM

I may be able to arrange off hour visits for those who cannot make it during the gallery hours, contact me for special arrangements.

Here are some of the photographs in digital format.

Charlie Rose Interviews Henri Cartier-Bresson

Charlie Rose runs one of the best interview shows on television. He brings in interesting people (or goes out to see them) and engages them in very interesting conversations. I have watched his programs on TV and online and wanted to share some related to photography here. You may want to visit his site, CharlieRose.com and see if there are others that will be of interest to you. Additionally, you can find real gems if you search the old videos at Google Videos. Here is a rare footage with Henri Cartier Bresson (about 1 hour).

Follow the above by a recent interview with photographer and HCB’s widow Martine Franck, the director of the Museum of Modern Art’s department of photography Peter Galassi, and the director of Foundation Henri Cartier-Bresson, Agnes Sire. Click the link to view the “Henri Cartier-Bresson: Modern Century” MoMA exhibit interview (about 30 minutes).

Munki See, Munki Do: Display Calibration

X-Rite ColorMunki Photo

X-Rite ColorMunki Photo

I am amazed that many photographers, far too many of them work on a monitor with no calibration, no profiling and get surprised when they do not achieve the expected colors from their prints. I have made quite a few presentations on digital workflow, and have been preaching the importance of color management starting with the display monitor calibration and profiling. The importance of a calibrated and properly profiled display monitor cannot be overemphasized.  It is a must, period. The rest of the color-manged workflow depends on it.

I have been using a Monaco Optix-XR display calibration device that I acquired about 8-9 years ago; it was one of the better devices then. It served me well over the years until I upgraded my computer about a month ago, and its OS to Windows 7. The old software, which had not been updated for many years after X-Rite acquired Monaco, did not install on Windows 7 64-Bit OS. A replacement was clearly necessary, not for compatibility reasons only but also the availability of newer and better technology.

I sought advice from Brenda, the knowledgeable and helpful rep of X-Rite as to which one of their products would suit my needs the best. X-Rite makes close to 10 different models with a wide range of capabilities and prices and I considered i1Display series and the ColorMunki. She recommended X-Rite ColorMunki Photo (yes, it sounds a bit hokey to me too) and demoed one on my computer. I was sold on the spot. The process could not be simpler, it’s so simple a Munki can do it (sorry for the pun!)

Install the software first; it will probably take longer than the actual display calibration. Then plug in the CM (no more Munki-ing around with the long names) to an available USB port, which will trigger the installation of the hardware device driver. After it says your hardware is ready to use, start the Photo software. From this point on, it is a matter of following the on-screen instructions which even show a picture of the device with the correct dial setting and informs the user when it is set correctly or incorrectly. (There is one part that is not so foolproof as this fool was tripped by it. You need to open the sliding sensor cover at the bottom otherwise you will go through the entire process only to end up with an error message. I wish there was a hardware or software indicator that the cover was closed. But it is a very, very minor issue and I will most likely not make that mistake again.)

During the initial phases of the calibration process you will need access to the brightness and contrast controls of your display, acquaint yourself with those buttons; they are usually very hard to find and their labels are practically impossible to read. At least my monitor’s controls are. While making the adjustment on contrast or brightness as instructed by your loyal Munki software, go in small steps as it takes it a moment or two to read the new levels. After these are done, it will go through displaying and reading a series of colors on the screen and tell you that it is finished. At this point, you need to save the created profile. It suggests a name, which is fine to use. I prefer to add my monitor brand and the date of calibration to the file name so my profile names look like:

Ekin_Samsung_100704

but any name will do. I’m from the old school of computing and try to put as much information in to the file name as I can within reason. It’s a habit I developed in the days of CP/M and MS-DOS! (What do you mean you don’t know what they are?)

The next step is a visual comparison of Before-After with noticeably better After view. You will be pleased when you see the results. I have not yet even mentioned that it can profile substrates for printers with ease and is a color picker from any surface that you can touch with this Munki’s foot. Other utilities included in the package will be quite useful to people who need to decide on color combinations like on a Web site, or a magazine layout. On their Web site they offer training materials, brochures, and other information that will help the user get the most out of this product.

I love this Munki and highly recommend that you get one at your earliest convenience. They are easy to train, once you learn how to remove their “eye-patch!”

Hagia Sophia Folio

I have created a folio of 12 photographs from the dome of Hagia Sophia. The photographs are printed photographically on metallic paper which brings out the reflective qualities of gold extremely well. The folio opens with a title page, includes a certificate of authenticity, and continues with a collection of 12 photographs. They are all enclosed in a hand made gold-charcoal folio cover. I sign and number the certificate of authenticity and the folio cover. This stunning collection will make an excellent addition to anyone’s art collection.

The current price of the folio is $250 per set and will increase to $300 after the copy number 6, to $400 after copy number 10. There may be additional increases after that and the total number of folios of this collection will be limited to 18 copies with no more than 3 artist proofs.

Available copies are:

Copy Price Status
#1-#6 $250 Sold
#7-#10 $300 Sold
#11-13 $400 Sold
#14-#18 $400 * Available
* Subject to change

Please contact me using the form on the “Contact” page if you have questions or are interested in acquiring a copy for your collection or for gift giving.

Here are the photographs in the folio collection

Oak Bluffs in infrared

I carried my Canon G7 to Martha’s Vineyard along with the large format camera to take some infrared photographs. The weather was quite suitable for IR photography with blue skies with many clouds, and green foliage. True to the IR rendering, the sky turns out very dark, the green foliage turns white, and all the reds lighten up. Here is a collection of infrared photographs from Martha’s Vineyard, more specifically from Oak Bluffs. You will get a chance to see Peter Norton house in infrared too. (I incorrectly attributed the house to Tom Clancy earlier.)