I have just finished the workshop “Fine Art of Digital Printing” with John Paul Caponigro and Mac Holbert and I cannot say enough favorable things about the whole experience. Both John and Mac are extremely knowledgeable about photography, digital workflow, Photoshop, and the printing process; I mean extremely high quality fine art printing. On top of that, they are also very eager to share what they know, not only with the workshop participants but anyone who cares about her or his work. I am leaving the workshop with many useful technical and programmatic knowledge, not to mention many fine prints I was able to make there. But the best thing for me was my one-to-one meetings with John Paul and Mac who pointed out not only the technical glitches in my prints but also made me realize that I have to separate somewhere my emotional response from my technical process of producing fine prints. Now, I am not suggesting that either man told me that my prints were not of good quality, to the contrary they both said they were quite good, very good. But, and here is the rub, in my haste to visually articulate my ideas I have overlooked minor details that detract from the final quality.
I also realize now that I should have brought a more cohesive body of work to show rather than selecting images of various types. I made that choice with the assumption that I might need to present different types of photographs that show different technical questions/challenges as well as my varied interests. After John Paul’s presentation on presentation, I realized that my assumption and the resulting selection of images were wrong as they did not tell him enough about what my work is about. He was right. Thank you John, thank you Mac.
As part of the team, Arduina, John’s lovely wife; and Ming, Mac’s right hand (and the left hand as Mac called him) were always there with a smile to help with any problems that we might have had. With a great sense of humor and responsibility they greatly contributed to the total experience. Thank you Arduina, thank you Ming.
The venue for the workshop was the Hallmark Institute of Photography. The institute has impressive facilities, well equipped and extremely well maintained and presented. The people of Hallmark we had a chance to meet and interact, Gabe, Mark, Vance, were fabulously friendly and accommodating. Their hospitality and easy going manner contributed to the quality of my experience immensely. Thank you Gabe, Mark, Vance.
The participants at the workshop were a very good bunch of people with varying styles and talents. I have a feeling that I will communicate with quite a few and exchange ideas. I am looking forward to that. Thank you all for your company and sharing your work with me.
Flora
Infrared Earthscapes
Junk Yard
I could not agree more with Cemal’s evaluation of his experience at the workshop John Paul and Mac presided over last week at the Hallmark school. It was quite a learning experience for me to listen to and work with J. P. and Mac and advance my understanding of how my photography is evolving and how to produce fine art, high quality prints. BTW, we had free access to Epson’s new K3 2880 (13 inch) printer and I found it to produce excellent prints in an efficient, quiet manner. In addition the J. P. and Mac (and their wonderful team) I had the privilege of occupying a workstation directly behind Cemal and got to observe his exquisite work and his thoughtful workflow. He was also kind to answer many of my questions, share his expertise and take time to view a few of my prints. I believe our photographic interest are similar in such ways as the shape, form and tone of plants and the fine textures of wood and grain. A terrific learning experience and one I highly recommend.
Regarding the Epson 2880 printer, I agree that it produces excellent prints. Just be careful when loading Ultra Smooth Fine Art paper, the printer seems to have a particular problem with it. One suggestion was that the CD printing lid occasionally came slightly ajar, causing miscommunication between the printer and the computer. A gentle pressure applied at the center was to solve the problem. Well, it did not, Ultra Smooth Fine Art paper is a little stiffer than Velvet or Luster and my hunch is that the paper feed mechanism has difficulty pushing it through. Oh, yes, we were feeding it from the back via manual-roll feed option. I used mostly FA Velvet and never had any problem feeding that paper the same way, no miscommunication and misfeed.
Cemal